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The Zohar (Hebrew: זֹהַר , Zōhar, lit."Splendor" or "Radiance" [a]) is a foundational work of Kabbalistic literature. [1] It is a group of books including commentary on the mystical aspects of the Torah and scriptural interpretations as well as material on mysticism, mythical cosmogony, and mystical psychology.
Chabad Hasidic philosophy focuses on religious concepts such as God, the soul, and the meaning of the Jewish commandments. Teachings are often drawn from classical Judaic teachings and Jewish mysticism. Classical Judaic writings and Jewish mysticism, especially the Zohar and the Kabbalah of Rabbi Isaac Luria, are frequently cited in Chabad ...
Among problems considered in the Hebrew Kabbalah is the theological issue of the nature and origin of evil. In the views of some Kabbalists this conceives "evil" as a "quality of God", asserting that negativity enters into the essence of the Absolute. In this view it is conceived that the Absolute needs evil to "be what it is", i.e., to exist. [41]
Practical Kabbalah is mentioned in historical texts, but most Kabbalists have taught that its use is forbidden. [3] It is contrasted with the mainstream tradition in Kabbalah of Kabbalah Iyunit (contemplative Kabbalah), that seeks to explain the nature of God and the nature of existence through theological study and Jewish meditative techniques.
Moses ben Jacob Cordovero (Hebrew: משה קורדובירו Moshe Kordovero ; 1522–1570) was a central figure in the historical development of Kabbalah, leader of a mystical school in 16th-century Safed, Israel. He is known by the acronym the Ramak (Hebrew: רמ״ק).
Lurianic Kabbalah became the dominant system in Jewish mysticism, displacing Cordovero's, and afterwards, the Zohar was read by Jewish Kabbalists in its light. Medieval Kabbalah depicts a linear descending hierarchy of Ohr "Light", the ten sefirot or divine attributes emerging from concealment in the Ein Sof "Divine Infinity" to enact Creation ...
'Repairs of the Zohar'), also known as the Tikunim (תקונים), is a main text of the Kabbalah that was composed in the 14th century. It is a separate appendix to the Zohar, a crucial 13th-century work of Kabbalah, consisting of seventy commentaries on the opening word of the Torah, In the beginning, in the Midrashic style.
This issue has been crystalized until today by alternative views on the origin of the Zohar, the main text of Kabbalah, attributed to the circle of its central protagonist Rabbi Shimon Bar Yochai in the 2nd century CE, for opening up the study of Jewish Mysticism. [1]