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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque / Rococo style.
Overview of fashion from The New Student's Reference Work, 1914. Summary of women's fashion silhouet changes, 1794–1887. The following is a chronological list of articles covering the history of Western fashion—the story of the changing fashions in clothing in countries under influence of the Western worldâ —from the 5th century to the present.
Women's clothing styles maintained an emphasis on the conical shape of the torso while the shape of the skirts changed throughout the period. The wide panniers (holding the skirts out at the side) for the most part disappeared by 1780 for all but the most formal court functions, and false rumps (bum-pads or hip-pads) were worn for a time.
During the early to mid-1650s, a rather small falling collar was in fashion. This increased in size and encompassed much of the shoulders by 1660. Cravats and jabots around the neck started to be worn during the early 1660s. By the mid-1660s, the collar had disappeared with just the cravat remaining, sometimes tied with a small bow of ribbon.
Woman's stays c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5. [1]The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets.
Panniers or side hoops are women's undergarments worn in the 17th and 18th centuries to extend the width of the skirts at the side while leaving the front and back relatively flat. This provided a panel where woven patterns, elaborate decorations and rich embroidery could be displayed and fully appreciated.
With the popularity of the boycott of British goods, wearing homespun clothing became a patriotic symbol of the fight against British rule. [6] Women in particular took a leading role in the movement by avoiding imported satin and silk but instead using locally-made materials to spin cloths. [7] They made spinning into a social event. [5]