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Ismail Merathi (1844–1917) was an Indian Urdu poet, schoolteacher, and educationist from the Mughal–British era. His poems for children like Nasihat, Barsaat, Humaari Gaye, Subah Ki Aamad, Sach Kaho, Baarish Ka Pehla Qatra, Pan Chakki, Shafaq, and several others are part of the primary school curriculum in Pakistan. [1]
The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5] These books primarily consist of Urdu , Hindi and Persian literature and encompass a wide range of genres, including biographies of poets, Urdu poetry , fiction, and nonfiction. [ 6 ]
Ashob remained an historical genre in Persian, Urdu and Turkish literature used by the writers, predominantly by the Mughal poets to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs are generally describing emotional thoughts of a writer in a narrative poem based on several competencies. [6]
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Subh-e-Azadi (lit.'Dawn of Independence' or 'Morning of freedom' [4]), also spelled Subh-e-Aazadi or written as Subh e Azadi, is an Urdu language poem by a Pakistani poet, Faiz Ahmed Faiz written in 1947. [5] [6] The poem is often noted for its prose style, marxist perspectives
During his lifetime, Atta published two collections of Urdu poetry. [4] Atta's Urdu poetry is a true reflection of Balochi culture and landscape of Balochistan. He added a new poetic flavour to Urdu poetry by versifying certain Balochi folk lore, romantic sagas and maxims. [5] He wrote poems like 'Mahnaaz', 'Shah Mureed aur Haani', 'Wafa' and ...
He grew in Azimabad where the atmosphere was poetic and literary and it was from there he picked up the love for Urdu poetry. He chose the word Bismil (meaning hurt or wounded) as his pen name and became disciple of Khan Bahadur Shad Azimabadi, (1846-1929). [4] [7] He used to frequent Qutub-khana Anjuman Taraqqi Urdu Library, Patna. [8]
Bait Bazi (Urdu: بیت بازی) is a verbal game and a genre of Urdu poetry played by composing verses of Urdu poems. The game is common among Urdu speakers in Pakistan and India . It is similar to Antakshari , the Sistanian Baas-o-Beyt , the Malayalam Aksharaslokam and, more generally, the British Crambo .