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MACBETH. She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow; a poor player,
Macbeth raves fearfully, startling his guests, as the ghost is visible only to him. The others panic at the sight of Macbeth raging at an empty chair, until a desperate Lady Macbeth lies that her husband is merely afflicted with a harmless lifelong illness. The ghost departs and returns once more, causing the same riotous anger and fear in Macbeth.
One of the first-recorded uses of this phrase was by the character Lady Macbeth in Act 3, Scene 2 of the tragedy play Macbeth (early 17th century), by the English playwright William Shakespeare, who said: "Things without all remedy Should be without regard: what's done, is done" [2] and "Give me your hand. What's done cannot be undone.
The Sleepwalking Lady Macbeth by Johann Heinrich Füssli, late 18th century. (Musée du Louvre) The sleepwalking scene is a critically celebrated scene from William Shakespeare's tragedy Macbeth (1606). Carrying a taper (candlestick), Lady Macbeth enters sleepwalking. The Doctor and the Gentlewoman stand aside to observe.
Johnson criticised Hanmer for editing Shakespeare's words based on subjective opinion instead of objective fact. [10] In particular, Johnson writes: He appears to find no difficulty in most of those passages which I have represented as unintelligible, and has therefore passed smoothly over them, without any attempt to alter or explain them...
Macbeth, a Scottish noble, is urged by his wife to kill King Duncan to take the throne for himself. He covers the king's guards in blood to frame them for the deed, and is appointed King of Scotland. However, people suspect his sudden power, and he finds it necessary to commit more and more murders to maintain power, believing himself ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]