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Authorial intentionalism is the hermeneutical view that an author's intentions should constrain the ways in which a text is properly interpreted. [1] Opponents, who dispute its hermeneutical importance, have labelled this position the intentional fallacy and count it among the informal fallacies .
Polyphony in literature is the consequence of a dialogic sense of truth in combination with the special authorial position that makes possible the realization of that sense on the page. [3] The dialogic sense of truth, as it manifests in Dostoevsky, is a radically different way of understanding the world to that of the monologic. Dostoevsky's ...
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. [1] As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the ...
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
This diversity of voice is, Bakhtin asserts, the defining characteristic of the novel as a genre. When heteroglossia is incorporated into the novel, it is "another's speech in another's language, serving to express authorial intentions but in a refracted way". [3]
Bakhtin begins by identifying polyphony as the chief characteristic of Dostoevsky's work: "A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices..." [10] The discussion of polyphony and its incommensurability with the usual monological approach to writing and criticism is followed by an overview of the currently available scholarly ...
These intentions could be initial, medial or final, but intentionalist editors (most notably represented by Fredson Bowers and G. Thomas Tanselle editing school) generally attempt to retrieve final authorial intentions. The concept is of particular importance for textual critics, whether they believe that authorial intention is recoverable, or ...
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]