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James Lee Jamerson (January 29, 1936 – August 2, 1983) [1] [a] was an American bass player.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the greatest and most influential bass players in modern music history.
Robert Andrew Kreinar (November 26, 1937 – July 16, 2012), known as Bob Babbitt, was an American bassist, most famous for his work as a member of Motown Records ' studio band, the Funk Brothers, from 1966 to 1972, as well as his tenure as part of MFSB for Philadelphia International Records afterwards. Also in 1968, with Mike Campbell, Ray ...
The Motown sound was typified by characteristics such as the use of tambourines to accent the back beat, prominent and often melodic electric bass guitar lines, distinctive melodic and chord structures, and a call and response singing style that originated in gospel music. In addition, pop production techniques were simpler than that of Gaye's ...
rock. Occupation. Musician. Instrument. Bass guitar. Years active. 1968–present. Gregory Allen Reeves (born 1949 or 1950) [1][2] is an American bass guitarist. He is best known for playing bass on Crosby, Stills, Nash & Young 's album Déjà Vu (1970).
The Funk Brothers recorded and performed on Motown's recordings from 1959 to 1972. [1] The film was inspired by the 1989 book Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jamerson, a bass guitar instruction book by Allan Slutsky, which features a biography of James Jamerson along with his bass lines.
Motown is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, [2][3] and incorporated as Motown Record Corporation on April 14, 1960. [4] Its name, a portmanteau of motor and town, has become a nickname for Detroit, where the label was originally headquartered.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F. V ...
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