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The four temperament theory is a proto-psychological theory which suggests that there are four fundamental personality types: sanguine, choleric, melancholic, and phlegmatic. [2][3] Most formulations include the possibility of mixtures among the types where an individual's personality types overlap and they share two or more temperaments.
v. t. e. Yin and yang (English: / jɪn /, / jæŋ /), also yinyang[ 1 ][ 2 ] or yin-yang, [ 3 ][ 2 ] is a concept that originated in Chinese philosophy, describing an opposite but interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system ...
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and volume ...
Luminism is an American landscape painting style of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealment of visible brushstrokes. Luminist landscapes emphasize tranquility, and often depict calm, reflective water and a soft, hazy sky. Artists who were most central to the ...
Dutch Golden Age painting. Dimensions. 160 cm × 128 cm (63.00 in × 50.39 in) Location. Whereabouts unknown since 1990. Christ in the Storm on the Sea of Galilee is a 1633 oil-on-canvas painting by the Dutch Golden Age painter Rembrandt van Rijn. It is classified as a history painting and is among the largest and earliest of Rembrandt's works.
Engraving by Ignaz Alberti. The Magic Flute is a celebrated opera composed in 1791 by Wolfgang Amadeus Mozart. Mozart employed a libretto written by his close colleague Emanuel Schikaneder, the director of the Theater auf der Wieden at which the opera premiered in the same year. (He also played the role of Papageno).
The classical elements typically refer to earth, water, air, fire, and (later) aether which were proposed to explain the nature and complexity of all matter in terms of simpler substances. [1][2] Ancient cultures in Greece, Angola, Tibet, India, and Mali had similar lists which sometimes referred, in local languages, to "air" as "wind", and to ...
Empedocles established four ultimate elements which make all the structures in the world—fire, air, water, earth. [ 6 ] [ h ] Empedocles called these four elements "roots", [ 7 ] which he also identified with the mythical names of Zeus , Hera , Nestis , and Aidoneus [ i ] (e.g., "Now hear the fourfold roots of everything: enlivening Hera ...