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The intricate details rendered on the horse's harness offers viewers an insight into the type of horse this sculpture is supposed to represent: a Ferghana horse from Central Asia. Ferghana horses were very commonly depicted in Tang dynasty tomb figures. [13]
Tang dynasty tomb figures are pottery figures of people and animals made in the Tang dynasty of China (618–906) as grave goods to be placed in tombs. There was a belief that the figures represented would become available for the service of the deceased in the afterlife. [ 1 ]
The Six Steeds of Zhao Mausoleum (simplified Chinese: 昭陵六骏; traditional Chinese: 昭陵六駿; pinyin: Zhāolíng Liùjùn) are six Tang (618–907) Chinese stone reliefs of horses (1.7m x 2.0m each) which were located in the Zhao Mausoleum, Shaanxi, China. Zhao Mausoleum is the mausoleum of Emperor Taizong of Tang (r. 626–649).
The Qianling statues include horses, winged horses, horses with grooms, lions, ostriches, officials, and foreign envoys. [18] The khan of the Western Turks presented an ostrich to the Tang court in 620 and the Tushara Kingdom sent another in 650; in carved reliefs of Qianling dated c. 683, traditional Chinese phoenixes are modelled on the body ...
Two sancai-glazed Tang dynasty tomb figures, early 8th century, Prague National Gallery Female horse rider, Tang dynasty. Ferghana horses (Chinese: 大宛馬 / 宛馬; pinyin: dàyuānmǎ / yuānmǎ; Wade–Giles: ta-yüan-ma / yüan-ma) were one of China's earliest major imports, originating in from the Fergana Valley in Central Asia. [1]
At the rear are two horses and two camels. These larger statues would have been created in parts and then assembled using slip to join the parts. The camels were used as beasts of burden to carry goods around China and for import and export along the silk route. Horses were also useful but they imported exotic breeds into China.
Tang dynasty tomb figure, sancai horse, 7–8th century, also using blue, as on the saddle. Sancai (Chinese: 三 彩; pinyin: sāncǎi; lit. 'three colours') [1] is a versatile type of decoration on Chinese pottery and other painted pieces using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white.
During the Tang dynasty, the capital city Chang'an (today's Xi'an), was the most populous city in the known world, and the era is generally regarded by historians as a high point in Chinese civilization and a golden age of Chinese literature and art. In several areas developments during the Tang set the direction for many centuries to come.
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