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Art of the Title is the leading online resource of title design, with hundreds of title sequences available to view. The site features title design from countries around the world and aims to "honor the creators and innovators who contribute to the field, discussing and displaying their work with a desire to explicate, facilitate, and instigate."
A title sequence (also called an opening sequence or intro) is the method by which films or television programmes present their title and key production and cast members, utilizing conceptual visuals and sound (often an opening theme song with visuals, akin to a brief music video). [1]
Elaine Bass (née Makatura; born 1927) is an American title designer and filmmaker. Elaine Bass is a title designer and filmmaker. She is one of the main designers who helped to elevate the short film and the title sequence to an art form. She collaborated with graphic designer, title designer, and filmmaker Saul Bass for 40 years.
Through her work on "The Queen's Gambit" and "Deutschland 89," designer Saskia Marka helped both series bloom in vastly different ways.
During the 1950s, Whitney used his mechanical animation techniques to create sequences for television programs and commercials. In 1952, he directed engineering films on guided missile projects. One of his most famous works from this period were the animated title and dream sequences from Alfred Hitchcock 's 1958 film Vertigo , which he ...
These often equip CV/Gate and DIN sync interface along with MIDI, and even patch memory for multiple sequence patterns and possibly song sequences. These analog-digital hybrid machines are often called "Analogue-style MIDI step sequencer" or "MIDI analogue sequencer", etc.
John Whitney Sr. (1917–1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. [1] In the 1940s and 1950s, he and his brother James created a series of experimental films made with a custom-built device based on old anti-aircraft analog computers (Kerrison Predictors) connected by servomechanisms to control the motion of lights ...
He created his first film-title design for Stanley Donen's Indiscreet (1958). [2] The James Bond producers first approached him after being impressed by his title designs for the Donen comedy film The Grass Is Greener (1960). Binder also provided sequences for Donen for Charade (1963) and Arabesque (1966), both accompanying music by Henry Mancini.