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The first MXR effects pedal was the M-101 MXR Phase 90 phaser. The Phase 90 was used on the first two Van Halen albums. [4] The MXR Phase 45, followed, as well as a programmable version, the Phase 100. Like other pedals of the time, MXR pedals prior to 1981 did not have LEDs, A/C adaptor jacks, or true-bypass switching.
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard 's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song " (I Can't Get No) Satisfaction ".
Fuzz bass (also called bass overdrive) is a style of playing the electric bass that produces a buzzy, overdriven sound via a tube or transistor amp or by using a fuzz or overdrive pedal. Notable examples of fuzz effect units include the: Arbiter Fuzz Face , Electro-Harmonix Big Muff , Shin-ei Companion FY-2 , Univox Super-Fuzz , Vox Tone Bender ...
The MXR Dyna Comp was first produced in the 1970s and became "a Nashville standard". [1] It is frequently copied by other builders and hobbyists. [1] MXR also produces a 'vintage' Dyna Comp, with the 1970s "script" logo, and an updated version, the Super Comp, which has an "Attack" control that determines its "bite-/squash ratio".
A portrait of a mystery woman was found beneath Pablo Picasso's "Portrait of Mateu Fernández de Soto" by the Courtauld Institute of Art in London.
The Phase 90 was the first pedal sold by MXR and helped launch the company in 1974. [1] The original model had a simple orange enclosure with a script style MXR logo. In 1977 MXR changed its logo to a block style. There was a transitional period in which some Phase 90s with script logos had box logo circuits, and vice versa.
The MXR Distortion + ("Distortion Plus") is a distortion pedal originally designed in the 1970s by MXR Innovations. The pedal uses a single op-amp and a pair of germanium diodes to ground (parallel-push) for clipping in a very simple configuration with only Output and Distortion controls, no tone control; the pedal uses no discrete transistors .
Alesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr. [1] Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Alesis' first product was the XT Reverb.
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