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Other carnal activities, red-light districts and brothels remain illegal business and operate as an open secret let be by offering huge sums in bribe to the police. Many areas in Pakistan like Heera Mandi in Lahore and 12 No Chungi in Sargodha are govt licensed areas and police protect them due to some political reasons.
The bride is made to sit in a corner of a room with "akhiyo" on her face, till the day/night of marriage, some rituals like applying oil in hairs by "suhaganio" married women is also done called "Wanah ja sath" with ladies singing sehras/ladas/geech, once these rituals are done and everyone leaves then the bride is made to stay in one room, no ...
The bride sits in a corner of a room with the akhiyo on her face until the wedding day. Some rituals like applying oil in hair by married women is also done called wanah ja sath with ladies singing traditional folk songs. Once these rituals are done and everyone leaves, the bride stays in one room, and no one is permitted to see her face.
The Legend of Churel supposedly originated from Persia where they were described as being the spirits of women who died with "grossly unsatisfied desires". [4]In South-East Asia, the Churel is the ghost of a woman who either died during childbirth, while she was pregnant, or during the prescribed "period of impurity".
Marchers holding placards during Aurat March 2020. The Aurat March (Urdu: عورت مارچ, lit. ' Women's March ') is an annual socio-political demonstration in Pakistani cities such as Islamabad, Karachi, Lahore, Multan, Peshawar and Islamabad to observe International Women's Day.
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Cheekh (Urdu: چیخ; lit: 'Scream') was a 2019 Pakistani crime-drama television series created and produced by Fahad Mustafa and Dr. Ali Kazmi under their production house, Big Bang Entertainment. [1] [2] It features Saba Qamar and Bilal Abbas in leads and Aijaz Aslam, Maira Khan, Emmad Irfani and Azekah Daniel in supportive roles.
The film was produced by Obaid-Chinoy's production company, Waadi Animations. [3] The team faced multiple challenges to create a high-level animation film in Pakistan, where there is little film education and thus few animation professionals, a dearth of equipment and software of the types and quality needed, [4] and faulty infrastructure. [5]