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The Crewe manuscript is the only manuscript copy of Samuel Taylor Coleridge's poem Kubla Khan. [1] It is a holograph manuscript (i.e., written in Coleridge's own hand), from some time between the poem's composition in 1797 and its publication in 1816.
Coleridge, 1814 "Kubla Khan" was likely written in October 1797, though the precise date and circumstances of the first composition of "Kubla Khan" are slightly ambiguous, due to limited direct evidence. Coleridge usually dated his poems, but did not date "Kubla Khan", [4] and did not mention the poem directly in letters to his friends.
Kubla Khan: Or, A vision in a dream. A Fragment. "In Xanadu did Kubla Khan" 1798 1816 Recantation: Illustrated in the Story of the Mad Ox "An Ox, long fed with musty hay," 1798 1798, July 30 Hexameters. ('William my teacher,' &c.) "William, my teacher, my friend! dear William and dear Dorothea!" 1799 1851
The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium-induced haze), but was interrupted by this visitor who came "on business from Porlock" while in the ...
October – Coleridge composes Kubla Khan in an opium-induced dream and writes down only a fragment of it on waking. November – Wordsworth suggests to Coleridge the theme of The Rime of the Ancient Mariner on a walk in the Quantocks. [3] William Blake illustrates Edward Young's Night-Thoughts.
Lowes' most famous work is The Road to Xanadu: A Study in the Ways of the Imagination (Houghton Mifflin, 1927), which examines the sources of Coleridge's The Rime of the Ancient Mariner and Kubla Khan. Using Coleridge's notebook and other papers at the Bristol Library, Lowes put together a list of books that the poet read before and during the ...
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"Xanadu" is a song by the Canadian progressive rock band Rush from their 1977 album A Farewell to Kings. [1] It is approximately eleven minutes long, beginning with a five-minute-long instrumental section before transitioning to a narrative written by Neil Peart, which in turn was inspired by the Samuel Taylor Coleridge poem Kubla Khan.