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Oedipus describes the riddle of the Sphinx by Jean-Auguste-Dominique Ingres, c. 1805. In classical psychoanalytic theory, the Oedipus complex (also spelled Œdipus complex) refers to a son's sexual attitude towards his mother and concomitant hostility toward his father, first formed during the phallic stage of psychosexual development.
Claudius' speech is full of rhetorical figures, as is Hamlet's and, at times, Ophelia's, while Horatio, the guards, and the gravediggers use simpler methods of speech. Claudius demonstrates an authoritative control over the language of a King, referring to himself in the first person plural, and using anaphora mixed with metaphor that hearkens ...
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
The best preserved section (lines 201–34) is a speech by the Theban queen, who is not named but who is probably Jocasta, sometimes known as Epicaste, the mother and wife of Oedipus and thus the grandmother/mother of Eteocles and Polynices (she is probably not Eurygania who, in some versions of the Oedipus myth, is his second wife and the ...
Freud wrote several important essays on literature, which he used to explore the psyche of authors and characters, to explain narrative mysteries, and to develop new concepts in psychoanalysis (for instance, Delusion and Dream in Jensen's Gradiva and his influential readings of the Oedipus myth and Shakespeare's Hamlet in The Interpretation of Dreams).
Anti-Oedipus: Capitalism and Schizophrenia (French: Capitalisme et schizophrénie. L'anti-Œdipe ) is a 1972 book by French authors Gilles Deleuze and Félix Guattari , the former a philosopher and the latter a psychoanalyst.
To enter the Oedipus-complex, a girl must hate her mother. Irigaray says this view makes it impossible for a girl to give meaning to the relationship with her mother. [ 10 ]
Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. [2]