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Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
The Chicago Music Exchange is a music equipment retailer based in Chicago, Illinois, United States. Located at 3316 North Lincoln Avenue, CME is known for its museum-like showroom and collection of vintage guitars and basses. It is a major Chicago destination for musicians. [1]
This happened in America and, along with deception from opportunistic Italian musicians, led to the mandolin's expansion. [94] Both instruments spread around the world from their original homes in Europe, the bandurria mainly in Spanish speaking areas such as South America and the Philippines. In Spain today, the bandurria is a "national ...
Spanish musical instrument makers (3 C, 5 P) Pages in category "Spanish musical instruments" The following 19 pages are in this category, out of 19 total.
Four years later, the company officially re-introduced the Regal name [1] in Chicago, establishing their factory there. Lyon & Healy set Regal up as an independent company in 1924. During its first years of existence, Regal only marketed 4-string instruments such as ukuleles and tenor guitars. The production of 6-string guitars would begin later.
At the end of 1931, Beauchamp, Barth, Rickenbacker and several other individuals banded together and formed the Ro-Pat-In Corporation (elektRO-PATent-INstruments) to manufacture and distribute electrically amplified musical instruments, with an emphasis on their newly developed A-25 Hawaiian Guitar, often referred to as the "fry-pan" lap-steel electric guitar, as well as an Electric Spanish ...
The bombo criollo, or simply bombo, is a family of Latin American drums derived from the European bass drum (also called in Spanish bombo) and native Latin American drum traditions. [1] These drums are of smaller dimensions than the orchestral bass drum, and their frame can be made of wood or steel.
When the Spanish conquistadors came to South America, they brought the vihuela (an ancestor of the classical guitar) with them. It is not clear whether the charango is a direct descendant of a particular Spanish stringed instrument; it may have evolved from the vihuela, bandurria ( mandolin ), or the lute .