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African countries where masks are used traditionally Sande society sowei mask, 20th century Baoule Kple Kple Mask. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations.
Mask characters include Balinga, the Fulani woman, katre, the hyena, nyaka, the small antelope, Wan pelega, the large antelope, and many others. Now, however, masks from all three areas appear at annual public festivals such festivals as SIAO (Fr. Salon international de l’Artisanat de Ouagadougou), Week of the Culture, and the Atypical Nights ...
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
These masks showcase an ideal image of an Igbo maiden. This ideal is made up by the smallness of a young girl’s features and the whiteness of her complexion, which is an indication that the mask is a spirit. This whiteness is created using a chalk substance used for ritually marking the body in both West Africa and the African Diaspora.
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
The majority of the masks have the eyes closed and very few have them open. Some masks that Mekuyo wear have a mirror attached on the forehead which also is used as a talisman. Mekuyo dancers also wear a cape known as an ecapa which is usually white and often features not only the name of the Okuyi dancer but also his birth place and birth date.
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The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots. The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as nkissi. [2]
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