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Dream interpretation is the process of assigning meaning to dreams. In many ancient societies, such as those of Egypt and Greece , dreaming was considered a supernatural communication or a means of divine intervention , whose message could be interpreted by people with these associated spiritual powers.
Marie Louise von Franz has studied dream symbols, while James Hillman is more interested in what this other world represents for the dreamer. As a nocturnal theater of symbols, dreams are for Jung a natural production of the unconscious, [D 2] as well as the locus of personality transformation and the path to what Jung calls "individuation ...
This is where the dream may direct feelings or desires onto an unrelated subject. This is similar to the practice of transference, which is a common technique used in psychoanalysis. Another step in the formation of dreams is symbolism. Objects or situations in a dream may represent something else, commonly an unconscious thought or desire.
The Belgian comics artist Hergé was plagued by nightmares in which he was chased by a white skeleton, whereupon the entire environment turned white. A psychiatrist advised him to stop making comics and take a rest, but Hergé drew an entire story set in a white environment: the snowy mountaintops of Tibet.
Interobjects differ from typical dream condensations in which two objects are fused into one. Instead, the condensation is incomplete. Some examples from the literature on dreams include "a piece of hardware, something like the lock of a door or perhaps a pair of paint-frozen hinges" [ 1 ] and "something between a record player and a balance ...
The Dream was written in 1918, a time in which Europe had suffered from World War I for nearly four years already when it was finally about to come to an end. Furthermore, it originates from a period in which the field of psychology was greatly influenced by psychoanalytic theories of Sigmund Freud and like-minded psychologists. [2]
Stranger, dreams verily are baffling and unclear of meaning, and in no wise do they find fulfillment in all things for men. For two are the gates of shadowy dreams, and one is fashioned of horn and one of ivory. Those dreams that pass through the gate of sawn ivory deceive men, bringing words that find no fulfillment.
Yueyachan (Crescent-Moon-Shovel), a Monk's spade that is the primary weapon of Sha Wujing. A double-headed staff with a crescent-moon blade at one end and a spade at the other, with six xīzhàng rings in the shovel part to denote its religious association. Han Feizi's spear, a man was trying to sell a spear and a shield. When asked how good ...