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Map of the Helvetic Republic (1798) Map of Switzerland in 1815 New cantons were added only in the modern period, during 1803–1815; this mostly concerned former subject territories now recognized as full cantons (such as Vaud, Ticino and Aargau), and the full integration of territories that had been more loosely allied to the Confederacy (such as Geneva, Valais and Grisons).
Before the Moody Blues toured the album, Moraz was fired from the band. In September 1991, Moraz sued the group for $500,000 as well as wrongful dismissal, claiming the group decided to split their profits four ways instead of five, [24] and wished to be paid royalties he felt were owed to him as a full-time member of the band for almost 15 ...
"Slices of You" (John Nash) – 4:17 "There's Something Very Wrong With Us, So Let's Go Out Tonight" – 4:23 "Germans in Mexico" – 3:01 "Chocolate Pope" – 1:02; The Australian release of the album under label Inertia Records contains a fourteenth track, a Midnight Juggernauts remix of "The Future Is in the Future" from the band's album ...
The oldest known farming settlements in Switzerland, which were found at Gächlingen, date to around 5300 BC. [ 36 ] Founded in 44 BC by Lucius Munatius Plancus , Augusta Raurica (near Basel) was the first Roman settlement on the Rhine and is now among the most important archaeological sites in Switzerland.
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Prehistoric pile dwellings around the Alps are a series of prehistoric pile dwelling (or stilt house) settlements in and around the Alps built from about 5000 to 500 BC on the edges of lakes, rivers or wetlands.
After the Reign (album) After the Storm (Crosby, Stills & Nash album) After the Storm (Norman Brown album) Against the Grain (Acoustic Alchemy album) Aima, Dakrya & Idrotas; Ain't Enough Comin' In; Ain't Life Grand (Widespread Panic album) Airbacktrax; Aitara; Akari (album) Akua Tuta; L'Album du peuple – Tome 3; The Album (Hello Sailor album ...
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass .