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Aristotle considers length or time in a distinction between the epic and tragedy: Well then, epic poetry followed in the wake of tragedy up to the point of being a (1) good-sized (2) imitation (3) in verse (4) of people who are to be taken seriously; but in its having its verse unmixed with any other and being narrative in character, there they ...
Aristotle says that peripeteia is the most powerful part of a plot in a tragedy along with discovery. A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events.
Dramatic theory attempts to form theories about theatre and drama.Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies.
In chapter 13 of the book, Aristotle states that for tragedy to end in misfortune is "correct," [6] yet in chapter 14 he judges a type of plot in tragedy "best" [7] that does not end in misfortune. [ 8 ] [ 9 ] Since the 16th century, scholars [ 10 ] [ 11 ] in Classics have puzzled over this contradiction or have proposed solutions, of which ...
Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3]
Topics covered by Lessing in the series of essays include Aristotle's theory of tragedy, acting theory, the role of theater in society, the means by which theater achieves its emotional effects, criticism of the actor and the play, issues of translation, and a nascent theory of the psychology of emotions. [9]