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Trần Văn Thủy is a Vietnamese documentary film director, reporter, and writer. He has directed more than twenty documentary films on a wide variety of themes. His work has often been a center of controversy in Vietnam; his 1982 film Hanoi In Whose Eyes, and his 1985 film The Story of Kindness, were both banned for a number of years by the Vietnamese government because each had content ...
Hanoi Radio - Television Station was established on October 14, 1954, four days after the capital was liberated. A fixed radio station was installed at Thuy Ta Information and Exhibition House with simple technical facilities, laying the foundation for the later development of Hanoi Radio - Television Station.
Little Sister Thuy (Em Thúy), often referred as Little Thuy, is an oil painting created by painter Trần Văn Cẩn (Tran Van Can) in 1943. Depicting the artist's 8-year-old niece, the painting is considered one of Tran Van Can's finest works as well as one of the typical portraits of 20th-century Vietnam.
The mosaic wall mural is made from ceramic tesserae which are product of Bát Tràng, a nearby village famous for its Bát Tràng porcelain. [1]The content of the mosaic represents the decorative pattern from different periods in the history of Vietnam: Phùng Nguyên culture; Đông Sơn culture; Lý dynasty; Trần dynasty; Lê dynasty and Nguyễn dynasty.
The tower is 128m tall, where the 25 kW Channel 9 (FCC) broadcast antenna of THVN (known as THVN9 since then), Channel 11 and FM 99.9 MHz of AFVN is located. In addition to the main station in Saigon, the Republic of Vietnam also has four local television stations in Huế , Quy Nhon , Nha Trang and Can Tho .
Content creation or content creative is the act of producing and sharing information or media content for specific audiences, particularly in digital contexts. According to Dictionary.com, content refers to "something that is to be expressed through some medium, as speech, writing or any of various arts" [1] for self-expression, distribution, marketing and/or publication.
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The history of the Vietnam University of Fine Arts can be traced back to the colonial École des Beaux Arts de l’Indochine (1925–45) (the Indochina College of Fine Arts) which trained successive generations of Vietnamese students — and a smaller number of students from Cambodia and Laos — in the western art tradition, laying the groundwork for the development of a distinctive ...