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Contextualism, also known as epistemic contextualism, is a family of views in philosophy which emphasize the context in which an action, utterance, or expression occurs. Proponents of contextualism argue that, in some important respect, the action, utterance, or expression can only be understood relative to that context. [ 1 ]
Frank Lloyd Wright's Fallingwater was designed to emulate the site's existing natural features. Contextual architecture, also known as Contextualism is a philosophical approach in architectural theory that refers to the designing of a structure in response to the literal and abstract characteristics of the environment in which it is built.
In the ’90s, non-art contexts are being increasingly drawn into the art discourse. Artists are becoming autonomous agents of social processes, partisans of the real. The interaction between artists and social situations, between art and non-art contexts has led to a new art form, where both are folded together: Context art.
The French artist Marcel Duchamp paved the way for the conceptualists, providing them with examples of prototypically conceptual works — the readymades, for instance.The most famous of Duchamp's readymades was Fountain (1917), a standard urinal-basin signed by the artist with the pseudonym "R.Mutt", and submitted for inclusion in the annual, un-juried exhibition of the Society of Independent ...
Contextualism, a trend in thinking in the later parts of 20th century, influences the ideologies of the postmodern movement in general. Contextualism is centered on the belief that all knowledge is "context-sensitive". This idea was even taken further to say that knowledge cannot be understood without considering its context.
World Hypotheses: A Study in Evidence, by Stephen C. Pepper (1942), presents four relatively adequate world hypotheses (or world views or conceptual systems) in terms of their root metaphors: formism (similarity), mechanism (machine), contextualism (historical act), and organicism (living system).
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
Kumar had been studying the work of the Santiniketan masters and thinking about their approach to art since the early 1980s. The practice of subsuming Nandalal Bose, Rabindranath Tagore, Ram Kinker Baij and Benode Behari Mukherjee under the Bengal School of Art was misleading. According to Kumar, "this happened because early writers were guided ...