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Petrus Christus, Portrait of a Young Girl, c. 1465–70. 29 cm × 22.5 cm, Gemäldegalerie, Berlin. Portrait of a Young Girl is a small oil-on-oak panel painting by the Early Netherlandish painter Petrus Christus. It was completed towards the end of his life, between 1465 and 1470, [1] [2] and is held in the Gemäldegalerie, Berlin. [3]
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre, a New Testament scholar and professor at Duke University. [82]
The work's alternative title, "Suffer the little children to come unto me" is based on a passage from the gospel of Matthew in which Jesus was instructing his disciples through the example of children. The painting is part of the artist's body of religious work, which is less well-known than her depictions of strong women. [1]
[n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1] Christ is shown grappling with a sacrificial lamb symbolizing his Passion as the Virgin tries to restrain him. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.
[68] [69] The face Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [ 61 ] Additional information about Jesus's skin color and hair was provided by Mark Goodacre , a senior lecturer at the Department of Theology and Religion ...
The famous Mantegna painting, clearly motivated by an interest in foreshortening, is essentially an Anointing, and many scenes, especially Italian Trecento ones and those after 1500, share characteristics of the Lamentation and the Entombment. [10] Ambrosius Benson's 16th century Lamentation triptych was stolen from the Nájera in 1913. It was ...
Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.
[5] In the background, the viewer can see a spiral staircase that seems to lead to the women's hall. A woman descends the stairs – the viewer, with knowledge of the Gospel, identifies her as Mary, the mother of Jesus, who was looking for her son. The fact that her face is cut off by the frame underscores the urgency of her arrival.
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