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Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.
Literature and the Brain (2009) [23] is partly based on a seminar Holland created and taught in 2004 and later years entitled "The Brain and the Book". Literature and the Brain explores the human experience of literature, explicating the processes by which the brain experiences the "willing suspension of disbelief," emotional response to ...
Regeneration, 1991 novel by Pat Barker, based on the historical experiences of the poet Siegfried Sassoon, explores shell-shock and other traumatic illnesses following World War I. [14] Amnesia, 1992 novel by Douglas Anthony Cooper. She's Come Undone, 1992 novel by Wally Lamb. Girl, Interrupted, 1993 memoir by Susanna Kaysen.
Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. [1] Horror is often divided into the sub-genres of psychological horror and supernatural horror.
In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. [1]
The Norton Anthology of Theory & Criticism (NATC) is an anthology of literary theory and criticism written in or translated to English that is published by the W. W. Norton & Company, one of several such compendiums. The first edition was published in 2001, with a second edition published in 2010 and a third in 2018.
Psychoanalytic literary criticism is a method of reading and analysing texts through the lens of psychoanalytic principles. [3] It is largely informed by Freudian psychoanalysis, but has since grown into its own field in literary theory, influenced by the work of psychoanalysts such as Carl Jung, Melanie Klein, and Jacques Lacan.
It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting. In terms of context and convention, it is a subgenre of the broader ranging thriller narrative structure, [ 1 ] with similarities to Gothic and detective fiction in the sense of sometimes having a "dissolving sense of ...