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Approximately 600 of these amps were built during that time. [2] The single-channel version of the amplifier employed modest gain in the preamp stages, Baxandall type bass and treble controls, a split load phase inverter, and four 6V6GT output tubes. [3] [4] The amplifiers produce 60 watts RMS at full power, and include a half power (30/60) switch.
The dual channel amplifier [9] uses pre-amp valves (most specifically the EF86 pentode) that are associated with smaller Vox amps. [10] The range includes 15, 30, and 100-watt models in both head and combo form. The 15 and 30-watt combos were called "substantial amps that provide substantial tones" in Vintage Guitar. [2]
The 2×12 combo features 60 watts of RMS output power into 16 or 8ohms. It also features five 12AX7 preamps tubes and two 6L6GC power amp tubes. This combo also comes with a built in spring reverb unit that the head model does not have, controllable via the footswitch and indicated by a green LED when active. (Pg 3, button #9 in the manual) [13]
ML-2, a Class A Mono Amplifier with 25 Watts output power at 8 Ohms, regulated power supply for output section and modular construction. ML-3, a Class AB Power Amplifier with 2 x 200 Watts output power at 8 Ohms in a dual mono construction. ML-9, a Class AB Power Amplifier with 2 x 100 Watts output power at 8 Ohms.
Combination (combo) amplifiers include a preamplifier, a power amplifier, tone controls, and one or more speakers in a cabinet, a housing or box usually made of wood. Instrument amplifiers for some instruments are also available without an internal speaker; these amplifiers, called heads , must plug into one or more separate speaker cabinets.
A 2×12-inch combo had the option of sending the first channel into the second, probably inspired by Marshall users doing the same trick with a jumper cable. [8] The 1972 Park 75 put out about 100 watts by way of two KT88s, whereas the comparable 50-watt Model 1987 of that time used 2 EL34 tubes.
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