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Approximately twenty-seven statues of Gudea have been found in southern Mesopotamia. Gudea was a ruler of the state of Lagash between c. 2144 BC and 2124 BC, and the statues demonstrate a very sophisticated level of craftsmanship for that time. The known statues have been named by archaeologists as "A" to "Z" and "AA".
Foundation figurines of gods in copper alloy, reign of Gudea, c. 2150 BCE, from the temple of Ningirsu at Girsu (British Museum, London). Votive stele of Gudea, ruler of Lagash, to the temple of Ningirsu: Gudea being led by Ningishzida into the presence of a deity who is seated on a throne. From Girsu, Iraq. 2144-2124 BCE.
The Gudea cylinders are a pair of terracotta cylinders dating to c. 2125 BC, on which is written in cuneiform a Sumerian myth called the Building of Ningirsu's temple. [1] The cylinders were made by Gudea , the ruler of Lagash , and were found in 1877 during excavations at Telloh (ancient Girsu ), Iraq and are now displayed in the Louvre in ...
Votive paintings in the ambulatory of the Chapel of Grace, in Altötting, Bavaria, Germany Mexican votive painting of 1911; the man survived an attack by a bull. Part of a female face with inlaid eyes, Ancient Greek Votive offering, 4th century BC, probably by Praxias, set in a niche of a pillar in the sanctuary of Asclepios in Athens, Acropolis Museum, Athens Bronze animal statuettes from ...
Very late terracotta votive offering figures, believed to represent deities. The poppy goddess is in the back row It is generally agreed that the dominant figure in Minoan religion was a goddess, with whom a younger male figure, perhaps a consort or son, is often associated, usually in contexts suggesting that the male figure is a worshipper.
Their dimensions vary from small statues to giants such as the kouroi of Delos and Samos, and the unfinished colossi of Naxos, the largest of which reach nearly 10 m. Their usual size, however, is the human size or a little smaller. [31] They served various functions, such as cult statues, ex-votos, monuments celebrating athletes, and funeral ...
The cultural memory of Enheduanna and the works attributed to her were lost some time after the end of the First Babylonian Empire. Her existence was first rediscovered by modern archaeology in 1927, when Sir Leonard Wooley excavated the Giparu in the ancient city of Ur and found an alabaster disk with her name, association with Sargon of Akkad ...
Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is ...