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El Greco was a nickname, [a] and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post ...
The same scholar believes that in El Greco's mature works "the devotional intensity of mood reflects the religious spirit of Roman Catholic Spain in the period of the Counter-Reformation". [1] El Greco often produces an open pipe between Earth and Heaven in his paintings. The Annunciation is one example of this spiritual conduit being present ...
Monument commemorating El Greco opposite the Museo del Greco in Toledo.. In 1838 the Spanish Museum of king Louis-Philippe was inaugurated at the Louvre on January 7, 1838. In 1835 Louis-Philippe had sent Baron Isidore Justin Séverin Taylor to Spain, in order to purchase, on his account, a representative group of works from the Spanish School.
El Greco would pay homage to the aristocracy of the spirit, the clergy, the jurists, the poets and the scholars, who honored him and his art with their esteem, by immortalizing them in the painting. The Burial of the Count of Orgaz has been admired not only for its art, but also because it is a gallery of portraits of some of the most important ...
El Greco has a unique style with influences from Italian artists as well as Spanish and Greek. Throughout his painting career, El Greco changed his style based upon the places he lived. However, he almost always painted with influence from his Cretan or Greek roots. He often wrote in Greek and used the Greek alphabet instead of the Latin alphabet.
El Greco (1541–1614) was a Cretan-born painter, sculptor and architect of the Spanish Renaissance. El Greco left his birthplace for Venice in 1567, never to return. El Greco's three years in Venice profoundly influenced his style. In 1577, he emigrated to Toledo, Spain, where he lived and worked until the end of his life.
El Greco, Christ Cleansing the Temple, National Gallery of Art, Washington, D.C. Christ Cleansing the Temple is on exhibit in the National Gallery of Art in Washington, D.C. This version was painted in Venice and the influence of the Venetian masters in this work is very telling.
According to Foundoulaki, "the dialogue Picasso inaugurated with El Greco in Les Demoiselles d'Avignon, by means of Cézanne, is carried on in Cubism". [11] Richardson sees the Apocalypse in El Greco's Opening of the Fifth Seal as the catalyst which showed Picasso how to harness the spiritual energy of a great religious artist to his own ...