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John Opper (1908–1994) was an American painter who transitioned from semi-abstract paintings in the late 1930s to fully abstract ones in the 1950s. He became known for his handling of color and in particular his ability to create dramatic intensity on the picture plane by means of juxtaposed, more-or-less rectangular areas of color.
Especially later when he placed the canvas on the floor, the broom in Clark’s hands spread color in wide, often horizontal swaths that spoke of energy and speed. [1] [3] He called it his “big sweep.” [6] From oils in his early years, he moved on to brilliant acrylics on large canvases, and softer, quieter dry pigments on paper. [7]
Mark Rothko (/ ˈ r ɒ θ k oʊ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was an American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.
The work was first exhibited at the Museum of Modern Art, New York in 1961 [1] but is now in the collection of the Museum of Contemporary Art, Los Angeles. [2] Similar to Rothko's other works from this period, No. 61 consists of large expanses of color with dark shades. Rust and Blue was a part of the Color Field movement.
It essentially involved abstract paintings with large, flat expanses of color that expressed the sensual, and visual feelings and properties of large areas of nuanced surface. Art critic Clement Greenberg perceived Color Field painting as related to but different from Action painting. The overall expanse and gestalt of the work of the early ...
Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, [1] an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis—"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it) and saturated color.
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