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To a degree, any attempt to describe an event other than in a clinical sense requires some dramatization: Effective storytelling leads directly to story dramatization. Story dramatization is the re-creation of part or all of a story with the emphasis on spontaneity, cognition, action, identification, dialogue and sequence of events.
This combination does not create a separate genre, but rather, provides a better understanding of the film. According to the taxonomy, combining the type with the genre does not create a separate genre. [2] For instance, the "Horror Drama" is simply a dramatic horror film (as opposed to a comedic horror film).
The resulting list of actors who were selected to play a character for a production, is called a cast list, which is incorporated into a production company's daily call sheet, [20] and reflected in the projects title sequence especially with film and television.
Dramatis personae (Latin: 'persons of the drama') are the main characters in a dramatic work written in a list. [not verified in body] Such lists are commonly employed in various forms of theatre, and also on screen. [not verified in body] Typically, off-stage characters are not considered part of the dramatis personae.
Individuals who dropped their last name and substituted their middle name as their last name are listed. Those with a one-word stage name are listed in a separate article. In many cases, performers have legally changed their name to their stage name. [1] Note: Many cultures have their own naming customs and systems, some rather intricate.
In fiction, a character is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). [1] [2] [3] The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. [2]
List of drama films is a chronological listing of films in the drama genre. List of drama films of the 1900s; List of drama films of the 1910s;
Theatre technique is part of the playwright's creative writing of drama, as a kind of mimesis rather than mere illusion or imitation of life, in that the playwright is able to present a reality to the audience that is different, yet recognisable to that which they usually identify with in their everyday lives.