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Sometimes there are studs at the doors but mostly the vertical planks replace the studs. Both wood shingle or clapboard exterior siding and interior lath and plaster attach directly to the planks. [10] Some examples of plank frame houses are the oldest house in New Hampshire, the Richard Jackson House, Thomas and Esther Smith House in ...
The stone columns of the triforium of the apse of Chartres Cathedral have a maximum variation of plus or minus 19 mm (0.75 in). [17] Excess materials and stone chips were not wasted. Instead of building walls of solid stone, walls were often built with two smooth stone faces filled in the interior with stone rubble.
Highly decorative wood-shingle siding on a house in Clatskanie, Oregon, U.S. Siding or wall cladding is the protective material attached to the exterior side of a wall of a house or other building. Along with the roof, it forms the first line of defense against the elements, most importantly sun, rain/snow, heat and cold, thus creating a stable ...
The vertical plan of early Gothic cathedrals had three levels, each of about equal height; the clerestory, with arched windows which admitted light on top, under the roof vaults; the triforium a wider covered arcade, in the middle; and, on the ground floor, on either side of the nave, wide arcades of columns and pillars, which supported the weight of the ceiling vaults through the ribs
Poteaux-en-terre (posts in ground) is a type of timber framing with the many vertical posts or studs buried in the ground called post in ground or "earthfast" construction. The tops of the posts are joined to a beam and the spaces between are filled in with natural materials called bousillage or pierrotage.
Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows. [1] [2]
Especially in stone architecture, fluting distinguishes the column shafts and pilasters visually from plain masonry walls behind. [3] Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints ...
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