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Another popular style of table was the bureau plat, or flat desk. It was introduced by André-Charles Boulle around 1710 in the late reign of Louis XIV, as a replacement for the desk mounted atop two columns of drawers. The early versions by Boulle were made of ebony and dark wood, and had eight legs, and six drawers, which were decorated with ...
The basic forms of writing table, the drop-front desk and cylinder desk had all appeared in the furniture of Louis XV, but their appearance became more classical, geometric and sober under Louis XVI, and the quality marquetry inlays became much finer. The writing tables varied in size, but had leather tops, tapering legs, and usually three drawers.
Furniture is also used to hold objects at a convenient height for work (as horizontal surfaces above the ground, such as tables and desks), or to store things (e.g., cupboards, shelves, and drawers). Furniture can be a product of design and can be considered a form of decorative art.
French commode, by Gilles Joubert, circa 1735, made of oak and walnut, veneered with tulipwood, ebony, holly, other woods, gilt bronze and imitation marble, in the Museum of Fine Arts (Boston, United States) A British commode, circa 1772, marquetry of various woods, bronze and gilt-bronze mounts, overall: 95.9 × 145.1 × 51.9 cm, in the Metropolitan Museum of Art (New York City)
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Walnut and burr walnut veneer side chair attributed to Giles Grendey, London, c. 1740 (Art Institute of Chicago) Ornamentation is minimal, in contrast to earlier 17th-century and William and Mary styles, which prominently featured inlay, figured veneers, paint, and carving. The cabriole leg is the "most recognizable element" of Queen Anne ...
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