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A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. [4] A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence ...
Phrase rhythm is the rhythmic aspect of phrase construction and the relationships between phrases, and "is not at all a cut-and-dried affair, but the very lifeblood of music and capable of infinite variety. Discovering a work's phrase rhythm is a gateway to its understanding and to effective performance."
In music, a cadenza, (from Italian: cadenza [kaˈdɛntsa], meaning cadence; plural, cadenze [kaˈdɛntse]) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display.
In poetry cadence describes the rhythmic pacing of language to a resolution [2] and was a new idea in 1915 [3] used to describe the subtle rise and fall in the natural flow and pause of ordinary speech [4] where the strong and weak beats of speech fall into a natural order [5] restoring the audible quality to poetry as a spoken art. [6] Cadence ...
A phrase is a substantial musical thought, which ends with a musical punctuation called a cadence. Phrases are created in music through an interaction of melody, harmony, and rhythm. [3] Giuseppe Cambini—a composer, violinist, and music teacher of the Classical period—had this to say about bowed string instruments, specifically violin ...
The basic internal format of the tihai is three equal repetitions of a rhythmic pattern (or rhythmo-melodic pattern), interspersed with 2 (usually) equal rests.. The ending point of the tihai is calculated to fall on a significant point in the rhythmic cycle (called tala), most often the first beat (called sum and pronounced "some").
However, the term clausula already used in ancient Roman rhetoric, where it denoted "a rhythmic figure used to add finesse and finality to the end of a sentence or phrase." [4] In particular, rather than seeing clausula as a genre, the part composed in the style of discantus with a definite final cadence was called clausula.
Diagram of a typical period consisting of two phrases [5] [6] [7]. In Western art music or Classical music, a period is a group of phrases consisting usually of at least one antecedent phrase and one consequent phrase totaling about 8 bars in length (though this varies depending on meter and tempo).