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"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
The compact disc almost totally dominated the consumer audio market by the end of the 20th century, but within another decade, rapid developments in computing technology saw it rendered virtually redundant in just a few years by the most significant new invention in the history of audio recording — the digital audio file (.wav, .mp3 and other ...
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term: the "rudiments" needed to understanding music notation (i.e., key signatures, time signatures, rhythmic notation); scholars' views on music from antiquity to the present; and a sub-topic of musicology that ...
Auditactile music theory categorises musical manifestations opposing the visual matrix to the audiotactile one, depending on the embedded cognitive work model required to perform or play that particular music, and not considering the sociological aspects of music making. Considered from a phenomenological point of view, the form, experience and ...
The disc phonograph record was the dominant commercial audio distribution format throughout most of the 20th century, and phonographs became the first example of home audio that people owned and used at their residences. [5] In the 1960s, the use of 8-track cartridges and cassette tapes were introduced as alternatives.
Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. [1][2] Rehding is a music theorist and musicologist with a focus on intellectual history and media theory, known for innovative interdisciplinary work. His publications explore music in a wide range of contexts from Ancient Greek music to the Eurovision Song Contest ...
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since ...
December 30, 2007 (aged 89) New York City, New York, U.S. Education. Columbia University (BA, MA) University of Chicago (PhD) Leonard B. Meyer (January 12, 1918 – December 30, 2007) was a composer, author, and philosopher. He contributed major works in the fields of aesthetic theory in music, and of compositional analysis. [1]