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A sonatina (French: “sonatine”, German: “Sonatine") is a small sonata. As a musical term, sonatina has no single strict definition; it is rather a title applied by the composer to a piece that is in basic sonata form , but is shorter and lighter in character, or technically more elementary, than a typical sonata. [ 1 ]
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [5] [6] They were named Sonatina when published posthumously as Op. 137 in 1836. [7] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's—the "Sonatina" diminutive stuck to them. [2] [3] [4]
The Bassoon Sonata in G major, Op. 168, was written by Camille Saint-Saëns in 1921 as one of his last works. This bassoon sonata is the last of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Clarinet Sonata (Op. 167), written the same year.
In music, Op. 168 stands for Opus number 168. Compositions that are assigned this number include: Saint-Saëns – Bassoon Sonata; Schubert – String Quartet No. 8
The Sonatina in G major for violin and piano (Czech: Sonatina G dur pro housle a klavír), Op. 100, B. 183, was written by Antonín Dvořák between November 19 and December 3, 1893, in New York City. It was the last chamber composition he wrote during his sojourn in the United States.
Camille Saint-Saëns's Oboe Sonata in D major, Op. 166 was composed in 1921, the year of the composer's death.. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Clarinet Sonata (Op. 167) and the Bassoon Sonata (Op. 168), written the same year.
The Adagio is a poised elegy in the key of A minor, with an excursion of the main theme into the distant key of F minor, The finale, like the opening movement, is in sonatina form and in B ♭, with a chromatic, humorous, and daring main theme that owes something to the Second Viennese School.
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
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