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Paiste has developed several innovations to cymbal design and manufacture. Among these are: A Paiste Alpha China cymbal Discontinued 1989 Paiste 3000 22" Power Ride. The Flat Ride: A ride cymbal without a cup or bell. Originally designated as Space Sound in the Formula 602 line. Designed with Joe Morello. Introduced in the 1960s.
In line dancing the term chassé is used for a triple-step sequence in any direction (forward, side, back, diagonally, or curving). For instance, if the chassé is to be done to the right, the right foot steps right, the left foot is placed next to the right, with the weight being transferred to the left foot so that the right foot can complete ...
Since then, other manufactures followed the lead and implemented lines of high tin sheet metal alloy. Zildjian Project 391 series employed Paiste alloy explicitly, however many companies (Zildjian included) produce cymbals with B12 (Such as Zildjian ZHT, now S series) and B10 alloys. Meinl cymbals are well known for employing both alloys.
Paiste is the only company out of the “big four” (Paiste, Zildjian, Sabian and Meinl) that uses manual hammering to shape the curve or “bow” of the cymbal (Meinl used a computer controlled hammering machine to shape one line of their cymbals): Zildjian and Sabian use a 75 ton press to and STAMP their cymbals into shape. With the ...
A flat ride cymbal or flat top ride [1] (or often just flat ride) is a ride cymbal without a bell, originally developed by Paiste in collaboration with jazz drummer Joe Morello as part of their Formula 602 series in 1967. The most common size is 20" followed by 18", but larger examples exist: Paiste Formula 602 flatride
The 6-step. The 6-step is foundational to b-boying not only because it is the first footwork sequence breakers often learn, but also because it remains the move around which many sets are structured. Many break moves can begin from the 6-step. The move sets up the direction of rotation and builds momentum while imparting body control. The ...
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
A count may also be called a step, as contra dance is a walking form, and each count of a dance typically matches a single physical step in a figure. Typical contra dance choreography comprises four parts, each 16 counts (8 measures) long. The parts are called A1, A2, B1 and B2. This nomenclature stems from the music: Most contra dance tunes ...