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Pages in category "1960s instrumentals" The following 140 pages are in this category, out of 140 total. This list may not reflect recent changes. 0–9.
Theme from A Summer Place" by Percy Faith was the number one song of 1960. Bobby Rydell had four songs on the Year-End Hot 100. Brenda Lee had four songs on the Year-End Hot 100. Connie Francis had four songs on the Year-End Hot 100. The Everly Brothers had four songs on the Year-End Hot 100. This is a list of Billboard magazine's Top Hot 100 ...
This is a list of singles that have spent time in the top ten of the Billboard Hot 100 during 1960, presented chronologically from the year's first top-ten list from the issue dated January 4, 1960, to each song's entry date through the final published issue of the year.
US BB 1 – Aug 1960, US BB 1 of 1960, US CashBox 1 of 1962, Canada 1 – Aug 1960, POP 1 of 1960, UK 5 – Nov 1975, South Africa 7 of 1961, DDD 9 of 1960, RYM 12 of 1960, RIAA 32, Italy 38 of 1962, Party 46 of 2007, Acclaimed 140, Germany 396 of the 1960s, Rolling Stone 451 4: The Drifters: Save the Last Dance for Me: 1960: US
These are the Billboard Hot 100 number one hits of 1960.. That year, 12 acts achieved their first number ones, such as Marty Robbins, Johnny Preston, Mark Dinning, Connie Francis, The Hollywood Argyles, Brenda Lee, Brian Hyland, Chubby Checker, Larry Verne, The Drifters, Ray Charles, and Maurice Williams and the Zodiacs.
"Classic Rock" was first issued in the winter of 1988, with the first volume in the series titled Classic Rock: 1965.Like most compilation albums, songs by two of the era's most successful groups – The Beatles and The Rolling Stones – were not included due to licensing issues; however, several albums had cover art with drawings of male rock singers resembling The Beatles.
The Greatest Songs of the Sixties is Barry Manilow's sequel album for The Greatest Songs of the Fifties. The album was another major hit for Manilow in the United States, selling nearly 50% more than his previous album in its opening week. As with its predecessor, this album was produced by Clive Davis, along with Manilow and David Benson.
Sounds Incorporated formed in early 1961, in Dartford, Kent, and gained a reputation in nearby South London for the fullness of their saxophone-led instrumental sound. In August 1961, after Gene Vincent's band, The Blue Caps, had been denied permission to work in the UK, Sounds Incorporated won the opportunity to back Vincent on his British tour and on recordings in London.