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In 1990 this line-up was again reunited for the promotion of a music documentary entitled Sweet's Ballroom Blitz. This UK video release, which contained UK television performances from the 1970s and current-day interviews, was released at Tower Records, London. Sweet were interviewed by Power Hour, Super Channel, and spoke of a possible reunion.
Title Album details Live at the Marquee: Released: March 1989; Label: SPV, Maze; Formats: CD, 2×LP; Rock & Roll Disgrace – Live in Japan: Released: November 1992
Topics about The Sweet songs in general should be placed in relevant topic categories Pages in category "The Sweet songs" The following 22 pages are in this category ...
"The Ballroom Blitz" (often called "Ballroom Blitz") is a song by British glam rock band The Sweet, written by Nicky Chinn and Mike Chapman. The song reached number one in Canada, number two in the UK Singles Chart and the Australian Chart, and number five on the US Billboard Hot 100.
The Sweet's Biggest Hits is a 1972 greatest hits album by Sweet. It contains their six hit singles which made the UK chart in 1971/72, the 'B' sides to the first four and an album track, "Chop Chop" which was released as a single in some countries but not in the UK. The album reached number three in Finland. [1]
Desolation Boulevard is the third studio album by the British glam rock band Sweet, originally released in the United Kingdom in November 1974.Two noticeably different versions of the album were released: one by RCA Records in Europe, and another by Capitol Records in the United States, Canada and Japan.
It was the first single from their debut album Funny How Sweet Co-Co Can Be and became their first chart hit, peaking at number 13 on the UK Singles Chart. [3] Robin Carmody of Freaky Trigger described the "particularly fine" song as the strongest example of the Sweet's early bubblegum sound, before the group's music became heavier. [1]
"Love Is Like Oxygen" is a song by the British band Sweet and released in January 1978. It was co-written by the group's guitarist Andy Scott, and Trevor Griffin, a musician who had played with various unsuccessful bands before becoming a roadie and sound engineer. [6]