Search results
Results from the WOW.Com Content Network
Gaius Cilnius Maecenas ([ˈɡäːiʊs̠ ˈkɪɫ̪niʊs̠ mäe̯ˈkeːnäːs̠] 13 April 68 BC [1] – 8 BC) was a friend and political advisor to Octavian (who later reigned as emperor Augustus). He was also an important patron for the new generation of Augustan poets, including both Horace and Virgil .
Gaius Maecenas Melissus (/ m ə ˈ l ɪ s ə s /; fl. 1st century AD) was one of the freedmen of Gaius Maecenas, the noted Roman Augustan patron of the arts. His primary importance for Latin literature is that he invented his own form of comedy known as the "fabula trabeata" (tales of the knights).
Odes 1.1, also known by its incipit, Maecenas atavis edite regibus, is the first of the Odes of Horace. [1] This ode forms the prologue to the three books of lyrics published by Horace in 23 BC and is a dedication to the poet's friend and patron, Maecenas. [2]
Articles relating to Gaius Maecenas (c. 70 – 8 BC), quasi-culture minister to the Roman Emperor and patron of the Augustan poets, including Horace and Virgil. Pages in category "Gaius Maecenas" The following 8 pages are in this category, out of 8 total.
Horace's initial relationship with Augustus was facilitated by Gaius Maecenas, to whom he was introduced by Vergil and Varius. Maecenas at first figured highly in Horace's poetry, but his significance diminished in Horace's later writings. This is likely due to Horace becoming closer to Augustus, with whom he was quite close. [9]
Bathyllus was a dancer/performer of pantomimus in Rome during the period of Augustus.Born in Alexandria, he was the favourite of Maecenas. [1]He is often described with the performer Pylades, who was seen as the epitome of tragic performance, while Bathyllus was seen as the epitome of comedic performance.
The Gardens of Maecenas, or Horti Maecenatis, constituted the luxurious ancient Roman estate of Gaius Maecenas, an Augustan-era imperial advisor and patron of the arts. The property was among the first in Italy to emulate the style of Persian gardens . [ 1 ]
Music, usually pipe music, would accompany public prayers. [19] Cymbals and drums were used in rituals of the cult of Cybele and rattles were important to the cult of Isis . [ 20 ] Female musicians, dancers, and singers would perform at a festival for the goddess Isis who had a temple in Rome. [ 21 ]