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The term "indie sleaze" was coined in 2021, the same year that the style became popular again through TikTok, by an Instagram account dedicated to the aesthetic, @indiesleaze, launched by a woman named Olivia V. [8] The term was inspired by indie music, the 2000s magazine Sleaze, and the Uffie lyric "I'll make your sleazy dreams come true."
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available.. Roblox; Roblox Corporation; User:79lives
· The Nutcracker · The Odd Couple (play) · The Office (American TV series) · The Old Man and the Sea · The Onion · The Open Championship · The Open Society and Its Enemies · The Oprah Winfrey Show · The Oregon Trail (1971 video game) · The Origins of Totalitarianism · The Passion of Joan of Arc · The Peacock Room · The Pearl Island ...
Wikipedia contains other images and articles that are similarly shocking or udderly amoosing. Of the over six million articles in the English Wikipedia there are some articles that Wikipedians have identified as being somewhat unusual.
The film is described as having an "inimitable look" of manga and video game (particularly 16-bit) iconography with bright colors and graphics mixed into the live action; visual effects supervisor Frazer Churchill described the look as "tricky" to achieve, calling the film's style and appeal "very high-tech images with a very low-fi feel". [83]
Captain Marvel is a 2019 American superhero film based on Marvel Comics featuring the character Carol Danvers / Captain Marvel.Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 21st film in the Marvel Cinematic Universe (MCU).
Katelyn Lapid (born October 24, 2002), known professionally as Lyn Lapid, is an American singer-songwriter.She is a member of vocal collective Earcandy. She has released two albums, "to love in the 21st century" and "winter wishes". [1]
In a list of the 50 greatest pop-punk albums of all time, Rolling Stone placed Fall Out Boy's 2003 album Take This To Your Grave as the fifth greatest, citing it as "[ushering] in a whole new, genre-blurring scene, in which heavy riffs and a screamo aesthetic mingled with old-fashioned teen heartbreak". [268]