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  2. Contrapposto - Wikipedia

    en.wikipedia.org/wiki/Contrapposto

    S-curve (art) Contrapposto (Italian pronunciation: [kontrapĖˆposto]) is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane.

  3. Elements of art - Wikipedia

    en.wikipedia.org/wiki/Elements_of_art

    The element of value is compatible with the term luminosity, and can be "measured in various units designating electromagnetic radiation". [6] The difference in values is often called contrast , and references the lightest (white) and darkest (black) tones of a work of art, with an infinite number of grey variants in between. [ 6 ]

  4. Intertextuality - Wikipedia

    en.wikipedia.org/wiki/Intertextuality

    According to Oddo, precontextualization is a form of anticipatory intertextuality wherein "a text introduces and predicts elements of a symbolic event that is yet to unfold". [22]: 78 For example, Oddo contends, American journalists anticipated and previewed Colin Powell's U.N. address, drawing his future discourse into the normative present.

  5. Composition (visual arts) - Wikipedia

    en.wikipedia.org/wiki/Composition_(visual_arts)

    The central visual element, known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line — the visual path that enables the eye to move within the piece

  6. Twelve basic principles of animation - Wikipedia

    en.wikipedia.org/wiki/Twelve_basic_principles_of...

    Body parts with much tissue, such as large stomachs and breasts, or the loose skin on a dog, are more prone to independent movement than bonier body parts. [19] Again, exaggerated use of the technique can produce a comical effect, while more realistic animation must time the actions exactly, to produce a convincing result.

  7. Artistic canons of body proportions - Wikipedia

    en.wikipedia.org/wiki/Artistic_canons_of_body...

    In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]

  8. Here’s Why Word Art Still Has a Place in Your Home - AOL

    www.aol.com/why-word-art-still-place-001300261.html

    Go for a Gallery Look: “If word art doesn’t speak to you, consider a visual story like a well-curated gallery wall, meaningful family photos, or a textured piece of art. All of these can bring ...

  9. Shape and form (visual arts) - Wikipedia

    en.wikipedia.org/wiki/Shape_and_form_(visual_arts)

    A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.