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A DTS-HD MA decoder simply performs this process in reverse. [7] DTS-HD MA audio, including DTS:X audio, can be created and edited using DTS's DTS:X Encoder Suite. The DTS-HD Master Audio Suite served the same function before the introduction of DTS:X, and can still be used for DTS-HD MA that does not carry DTS:X. [8]
True Audio (TTA) libtta; FFmpeg; Windows Media Audio Lossless (WMAL) Windows Media Encoder; FFmpeg (decoder only) Other. DTS-HD Master Audio, also known as DTS++ and DCA XLL libdca (decoder only) FFmpeg (decoder only) Dolby TrueHD – Standard for DVD-Audio in Blu-ray (mathematically based on MLP) FFmpeg
DTS Headphone:X is a spatial audio technology, sometimes referred to as DTS Headphone:X "v2.0" or even "v2.0 7.1", [38] if the technology is to be licensed out to companies and not implemented by DTS themselves (through 1st party applications such as DTS Sound Unbound and others), where usually on non-PC devices such as video game consoles can ...
The library is used in VLC media player and is able to decode DTS audio tracks from DVDs. It can also decode DTS files (.dts) directly, as well as DTS-WAV files (.wav). libdca is able to decode DTS-ES streams as well, however can only decode the standard 6 channels as the additional "Extended Surround" extensions (for Matrix and 6.1 Discrete ...
The Sound Blaster Live! 24-bit (SB0410) was not actually a member of the Sound Blaster Live! family, because it lacked the EMU10k1/10k2 processor. It was a stripped-down version of the Audigy Value, with an SNR of 100 dB, software based EAX, no advanced resolution DVD-Audio Playback, and no Dolby Digital 5.1 or Dolby Digital EX 6.1 playback.
Broadcast audio codecs: 2wcom systems, Systembase, APT, AVT, Harris Corporation, MAYAH, Prodys, Qbit; wireless headphones: iSkin, JayBird Gear, DTS discs for movies FFmpeg Low latency Studio/transmitter link, Bluetooth A2DP stereo, digital wireless microphone: Yes No No Yes No ATRAC: Sony Corp. 1991 ATRAC3plus Non-free
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Dolby Atmos studio at a media company in Hanover, Germany. Dolby Atmos technology allows the storage and distribution of 128 audio tracks with metadata describing sound properties such as position and volume (and their variation over time). The audio mix is rendered specifically for the theater's setup using the loudspeakers available. [15]