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Calibri Designer: Lucas de Groot Class: Humanist : Candara Designer: Gary Munch Class: Humanist : Cantarell Designer: Dave Crossland Class: Humanist : Caractères Class: Grotesque : Century Gothic Class: Geometric : Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer ...
Arial is a sans-serif typeface in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, [2] Apple's macOS, [3] and many PostScript 3 printers. [4] In Office 2007, Arial was replaced by Calibri as the default typeface in PowerPoint ...
The ChromeOS core fonts, also known as the Croscore fonts, are a collection of three TrueType font families: Arimo (), Tinos and Cousine ().These fonts are metrically compatible with Monotype Corporation’s Arial, Times New Roman, and Courier New, the most commonly used fonts on Microsoft Windows, for which they are intended as open-source substitutes.
Calibri (/ k ə ˈ l iː b r i /) is a digital sans-serif typeface family in the humanist or modern style. It was designed by Luc(as) de Groot in 2002–2004 and released to the general public in 2007, with Microsoft Office 2007 and Windows Vista . [ 3 ]
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
Helvetica, also known by its original name Neue Haas Grotesk, is a widely-used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann. Helvetica is a neo-grotesque design, one influenced by the famous 19th-century (1890s) typeface Akzidenz-Grotesk and other German and Swiss designs. [2]
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
A 1969 poster exemplifying the trend of the 1950s and 1960s: solid red colour, simplified images and the use of a grotesque face. This design, by Robert Geisser, appears to use Helvetica. In the post-war period, an increase of interest took place in "grotesque" sans-serifs.