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The Horses of Neptune, illustration by Walter Crane, 1893. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
' long-ears' or 'neighing aloud' ') [1] is a seven-headed flying horse, created during the churning of the ocean. It is considered the best of horses, as prototype and king of the horses. [1] Uchchaihshravas is often described as a vahana of Indra, but is also recorded to be the horse of Bali, the king of the asuras.
At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
As the animation team came together to adapt Charlie Mackesy’s 2019 book The Boy, the Mole, the Fox and the Horse, the challenge for art director Mike McCain was to recreate Mackesy’s artistic ...
The paintings of Giuseppe Castiglione show the bodies of horses in full, their manes being of a different color from the body. [4] He represented them from different angles, [4] suggesting movement through the lifting of the limbs. [7] He also indicated a light source to attenuate the tints, and thus give the horses a volumetric effect. [4]
As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]