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Piano Sonata in A minor, D 845 (Schubert) Piano Sonata No. 2 (Szymanowski) Piano Sonata No. 3 (Prokofiev) Piano Sonata No. 8 (Mozart) Piano Trio (Ravel) Piano Trio (Tchaikovsky) Piano Trio in A minor (Hill) Piano Trio in A minor (Sibelius) Pomp and Circumstance Marches; Prelude and Fugue in A minor, BWV 543; Prelude in A minor, Op. 51, No. 2 ...
Musipedia offers three ways of searching: Based on the melodic contour, based on pitches and onset times, or based on the rhythm alone. For the first two, users can draw notes, play them on a keyboard, or type out an ASCII version of a melody.
The Parsons code, formally named the Parsons code for melodic contours, is a simple notation used to identify a piece of music through melodic motion – movements of the pitch up and down. [ 1 ] [ 2 ] Denys Parsons (father of Alan Parsons [ 3 ] ) developed this system for his 1975 book The Directory of Tunes and Musical Themes .
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
The scale degree chords of A minor are: Tonic – A minor; Supertonic – B diminished; Mediant – C major; Subdominant – D minor; Dominant – E minor; Submediant – F major; Subtonic – G major
The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .