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Absolute music (sometimes abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. [1] The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where ...
A symphony is an extended musical composition in Western classical music, most often for orchestra.
An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.
An outro (sometimes "outtro", also "extro") is the opposite of an intro. Outro is a blend of out and intro.. The term is typically used only in the realm of popular music.It can refer to the concluding track of an album or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops.
); the opposite of ritardando. It is defined by gradually increasing the tempo until the next tempo mark is noted. It is either marked by a dashed line or simply its abbreviation. Affrettando – speeding up with a suggestion of anxiety [24] Allargando – growing broader; decreasing tempo, usually near the end of a piece
The opposition between consonance and dissonance can be made in different contexts: In acoustics or psychophysiology, the distinction may be objective.In modern times, it usually is based on the perception of harmonic partials of the sounds considered, to such an extent that the distinction really holds only in the case of harmonic sounds (i.e. sounds with harmonic partials).
Symphony "Dürer" Dedicated to Albrecht Dürer: Karl-Franz Muller: 1: Symphony des Machines: Symphony of the Machines: 1959: 2: Arcadian Symphony: 1970–72: 3: Altische Symphonie: Old Symphony: 4: Sardinian Symphony: 5: Sarda Symphony: 6–9: Sinfonia Breve: Short Symphony: 1960s: He wrote 3 of these symphonies. The 2nd was written in 1963. 10 ...
Charles Burkhart suggests that the reason codas are common, even necessary, is that, in the climax of the main body of a piece, a "particularly effortful passage", often an expanded phrase, is often created by "working an idea through to its structural conclusions" and that, after all this momentum is created, a coda is required to "look back" on the main body, allow listeners to "take it all ...