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Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics .
Before 1750, the German upper classes looked to France for intellectual, cultural, and architectural leadership, as French was the language of high society. By the mid-18th century, the Aufklärung (The Enlightenment) had transformed German high culture in music, philosophy, science, and literature. Christian Wolff was the pioneer as a writer ...
Friedrich Wilhelm Marpurg (21 November 1718 – 22 May 1795) was a German music critic, music theorist and composer. Described as "one of Germany's leading mid[18th-]century music critics," [ 1 ] he was friendly and active with many figures of the Enlightenment .
In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment (plaisir and jouissance) of music. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant. Aesthetics is a sub-discipline of philosophy.
The 1700s refers to a period in Italian history and culture which occurred during the 18th century (1700–1799): the Settecento. [1] The Settecento saw the transition from Late Baroque to Neoclassicism: great artists of this period include Vanvitelli, Canaletto and Canova, as well as the composer Vivaldi and the writer Goldoni.
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).
The Classical Period was an era of classical music between roughly 1750 and 1820. [1]The classical period falls between the Baroque and Romantic periods. [2] Classical music has a lighter, clearer texture than Baroque music but a more varying use of musical form, which is, in simpler terms, the rhythm and organization of any given piece of music.
They redefined the study of knowledge to fit the ethics and aesthetics of their time. Their works had great influence at the end of the 18th century, in the American Declaration of Independence and the French Revolution. [1] This intellectual and cultural renewal by the Lumières movement was, in its strictest sense, limited to Europe.