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In 2001, Marshall reissued many of its earlier amplifiers, such as the Model 1959-SLP, which is designed to be a reissue of the late-1960s era "Plexi" amplifier, but which are in reality reissues of the post-1973 Super Lead models in that they use printed circuit boards internally to reduce manufacturing cost. The original design utilised hand ...
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
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The JTM 45 became the basis for many subsequent Marshall amplifiers, most notably the Marshall 1962 combo (later referred to as the "Bluesbreaker" due to its use by Eric Clapton with John Mayall's Bluesbreakers). [8] Production of this model ceased in 1966, but it was reissued in 1989, albeit with a modern printed circuit board and 6L6 output ...
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...