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Blood phobia (also known as hemophobia or hematophobia in American English and haemophobia or haematophobia in British English) is an extreme irrational fear of blood, a type of specific phobia. Severe cases of this fear can cause physical reactions that are uncommon in most other fears, specifically vasovagal syncope (fainting). [ 1 ]
Blood-injection-injury (BII) type phobia is a type of specific phobia [1] [2] characterized by the display of excessive, irrational fear in response to the sight of blood, injury, or injection, or in anticipation of an injection, injury, or exposure to blood. [3] Blood-like stimuli (paint, ketchup) may also cause a reaction. [4]
The history of kiasi can be traced back to the Chinese idiom "Greedy for life, afraid of death" (Chinese: 貪生怕死; pinyin: tān shēng pà sǐ), which describes a person's extreme fear of death, and may drive a person to lose his sense of justice and righteousness. The idiom was originally applied to cowardly soldiers on the battlefield.
In her song “Bad Blood,” she sends a vindictive message to an ex-friend who “made a really deep cut.” The song originally debuted on Swift’s 2014 album, “1989.”
Frigophobia is a phobia pertaining to the pathological concern of hypothermia.Frigophobia is a psychiatric condition that appears mainly in the Chinese culture. Sufferers of this affliction compulsively bundle up in heavy clothes and blankets, regardless of the ambient air temperature.
It measures 151.0 cm × 251.2 cm (59.4 in × 98.9 in) and is signed "Schenck" in the lower left corner. Tedd Got, a senior curator at the National Gallery of Victoria, has suggested that the work may have taken inspiration from the 1872 book The Expression of the Emotions in Man and Animals , in which Charles Darwin argued emotions have ...
After all, it's in the suburbs of "Beau Is Afraid" — a place of self-medication and post-traumatic stress disorder, suicide and surveillance, war and its aftermath — that the world of the film ...
Desperate Measures is an American musical comedy with music by David Friedman and book and lyrics by Peter Kellogg. The show won acclaim with Drama Desk Awards for Best Music and Best Lyrics, and Outer Critics Circle and Off-Broadway Alliance Awards for Best Musical from its run at the York Theatre in New York City in 2017.