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Holy Family (Watteau) The Holy Family with Saint John the Baptist and an Angel; Holy Family under an Oak Tree; The Holy Family with a Little Bird; Holy Family with a Shepherd; Holy Family with Angels (Parmigianino) Holy Family with Saint Anne and the Infant Saint John; Holy Family with Saint Catherine and Saint John the Baptist
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.
Fra Bonaventura Bisi, Franciscan friar who did religious works like Holy Family, with St. John and St. Elisabeth [59] Pedro Atanasio Bocanegra, did religious art at the cloister of Nuestra Senora de Gracia and the College of the Jesuits [60] Krzysztof Boguszewski, Polish Baroque painter and priest [61] [62]
The Painting. Canigiani Holy Family is an oil painting on a wood panel. The painting shows the Holy Family, consisting of Jesus Christ as a baby, the Virgin Mary, and Saint Joseph. The painting focuses on the baby Jesus, with the older figures looking on. Also present in the painting are Saint Elizabeth and a very young John the Baptist. [7]
The Heavenly and Earthly Trinities (also known as The Two Trinities or The Pedroso Holy Family) is an oil painting on canvas of c. 1675–1682 by the Spanish artist Bartolomé Esteban Murillo in the National Gallery, London.
The Holy Family is a 1518 painting of the Holy Family (Jesus, Mary and Joseph), Saint Elisabeth, an infant John the Baptist and two angels. [1] It is signed by Raphael, but most of the work was delegated to his workshop assistants. [2] It was commissioned by Pope Leo X as a gift to Claude, wife of Francis I of France, hence its name.
Holy Family with Saint Catherine and Saint John the Baptist is an oil-on-canvas painting by Paolo Veronese, now in the Uffizi, in Florence. [1] Its dating is debated, varying between his early period and his late one, the latter influenced by Tintoretto , with the latter the majority view, placing it in c.1562–1565.
As part of the Brühl collection, the painting was acquired in 1769 for the Hermitage, then recently established by Empress Catherine II of Russia. Since the mid-19th century, it was present in the Tauride Palace, and later in the Gatchina Palace near Saint Petersburg; after the Russian Revolution, Holy Family entered the Hermitage again in 1920.