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Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1] Calligraphy is considered one of the four most-sought skills and hobbies of ...
Wang Xizhi. Wang Xizhi (Chinese: 王羲之; courtesy name: Yishao (逸少); c. 303 – c. 361) was a Chinese politician and writer from the Jin dynasty (266–420) known for his mastery of Chinese calligraphy. He is often regarded as the greatest calligrapher in Chinese history. His most famous work, composed in 353, is the Lantingji xu ...
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Lettering is an act or result of artfully drawing letters, instead of writing them simply. Lettering is considered an art form, where each letter in a phrase or quote acts as an illustration. Each letter is created with attention to detail and has a unique role within a composition. [1] Lettering is created as an image, with letters that are ...
The Four Treasures is expressed in a four-word couplet: "The four treasures of the study: Brush, Ink, Paper, Inkstone." (Chinese: 文房四寶：筆、墨、紙、硯; pinyin: Wén fáng sì bǎo: bǐ, mò, zhǐ, yàn) [4] [5] In the couplet mentioned, each of the Treasures is referred to by a single epithet; however, each of these are usually known by a compound name (i.e.
Asemic writing. Asemic writing is a wordless open semantic form of writing. [2][3][4] The word asemic / eɪˈsiːmɪk / means "having no specific semantic content", or "without the smallest unit of meaning". [5] With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret.
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