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The Augustus of Prima Porta (Italian: Augusto di Prima Porta) is a full-length portrait statue of Augustus, the first Roman emperor. The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta .
A page from a fifteenth-century Middle English manuscript of Octavian, found in the British Library. In the Golden Legend, among other works from the Middle Ages, a legendary meeting between Augustus and the Tiburtine Sibyl is recounted. According to the story, Augustus inquires of the Sibyl whether he should be worshipped as a god.
The Augustus of Prima Porta is an example of an adlocutio pose. In ancient Rome the Latin word adlocutio means an address given by a general, usually the emperor, to his massed army and legions. The research of adlocutio focuses on the art of statuary and coinage aspects.
A close-up view of the breastplate on the statue of Augustus of Prima Porta, showing a Parthian man returning to Augustus the legionary standards lost by Marcus Licinius Crassus at Carrhae. Along with the prince, Augustus also gave Phraates IV an Italian slave-girl, who later became Queen Musa of Parthia. To ensure that her child Phraataces ...
Prima Porta is the 58th zona of Rome, identified by the initials Z. LVIII. The name Prima Porta (First Door) came from an arch of the aqueduct that brought water to the Villa of Livia , which formed over Via Flaminia a sort of gateway which travellers saw as the first indication of having reached Rome (Piperno).
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Augustus of Prima Porta, statue of the emperor Augustus, 1st century. Vatican Museums. The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies".
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...