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A longma (lower left corner) on a rubbing from the Wu Liang shrines' reliefs. Longma or "dragon horse" connects with other creatures in Chinese folklore.While longma sometimes applies to the Qilin, [13] the closest relative is the legendary tianma 天馬 "heavenly horse" or the "Chinese Pegasus", which was metaphorically identified with the hanxuema 汗血馬 "blood-sweating horse" or Ferghana ...
This creature was called "Ma Nin Mangkorn" (Thai: ม้านิลมังกร, "ceylonite dragon horse"), it is depicted as it has diamond fangs, ceylonite scales, and a birthmark on the tongue. It was a mixture of horse, dragon, deer antlers, fish scales, and Phaya Nak tail, with has black sequins all over. Its appearance resembles a qilin.
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The White Dragon Horse, known as Bai Long Ma (Chinese: 白龍馬; pinyin: Bái Lóng Mǎ; Wade–Giles: Pai² Lung²-ma¹; lit. 'White Dragon Horse'), and Yü Long (Chinese: 玉龍; pinyin: Yù Lóng; Wade–Giles: Yü⁴ Lung²; lit. 'Jade Dragon'), in Chinese, is one of the main characters in the 16th-century Chinese novel Journey to the West ...
The Pictish Beast (sometimes Pictish Dragon or Pictish Elephant) is an artistic representation of an animal, distinct to the early medieval culture of the Picts of Scotland. The great majority of surviving examples are on Pictish stones .
The iconography of military saints Theodore, George and Demetrius as horsemen is a direct continuation of the Roman-era "Thracian horseman" type iconography.The iconography of the dragon appears to grow out of the serpent entwining the "tree of life" on one hand, and with the draco standard used by late Roman cavalry on the other.
The Emperor of China usually used a Chinese dragon as a symbol of the imperial power and strength. Generally, a five-clawed dragon was used by emperors only. In Chinese culture, a flaming pearl is shown on top of the dragon's head. The pearl is associated with wealth, good luck, and prosperity.
The European dragon is a legendary creature in folklore and mythology among the overlapping cultures of Europe.. The Roman poet Virgil in his poem Culex lines 163–201, [1] describing a shepherd battling a big constricting snake, calls it "serpens" and also "draco", showing that in his time the two words probably could mean the same thing.